I had an idea of what to write a few days ago. And then another idea. The second idea is completely lost, but the shape of the first idea is still somewhat present.
I remember when I had the second idea I felt it was superior to the first. When I forgot the second and retained the first I was disappointed but still felt lucky that I had any ideas at all. Now I only have the ideas about the idea I had- a sort of fossil made of the impact the idea had on the rest of my mind. The surrounding making room for this one. Right now I’m filling this absence with plaster and making a mold to see what kind of precambrian proto-idea I was going to have for you.
On my way home from work I had a plot element I was going to include for you. A car accident. I was going to have the character going on about the absent idea, perhaps starting to cue up for an epic Randesque monologue explaining my opinions about (idea) and about how my opinions are right and everyone with other opinions are of suspect mind or character. I was going to cut off that speech with a car accident. I began to muse about the best way to disjoint or add surprise directly into text. “hyphen endquote and suddenly” wasn’t going to cut it for the visceral impact. I was perhaps not even going to close the quotes and have the events or impressions of the accident then be narrated starting midsentence. I began then to sort of wonder who would narrate the story, whether I was going to do first-person if the narrator became incapacitated or died. Rather than panic and despair about ever coming up with a story I resolved simply to write until I was painted into a corner, then keep on painting. Because rather than painting a metaphorical floor, it’s more as if I’m painting an actual fine art piece. Every painter will tell you that you can always add another layer until it looks right. I thought of this on my way home from work, as I slowly lost grip on the idea itself.
Stephen King tells me that his ideas for fiction are less fabrication and more like excavation of artifacts or fossils. I began to wonder what this twisting about of the place of the narrator would be in this metaphor. It seemed to smack of academic dishonesty, of making a new dinosaur species out of old bones or twisting an ape into a missing link. Then I remember Pressfield wrote that ideas aren’t bestowed on the unworthy- that they are the reward of devotion to the muse, a sort of receipt one gets for having paid ones dues.
And so here I am, writing to you and hoping that I’m not digging at an empty fossil-bed and am instead adequately phrasing my supplications to whichever muse it is that I ought to be trying to impress. Perhaps Calliope, she was in those Sandman books and I enjoyed those immensely.
My first idea, then was about writing a story I had about an opinion. Oh! I remember. It was about the duality of logic vs. emotion, about the different crazy ideas people have as to whether we ought to follow our guts or our heads, and the well-known perils of either.
I (hopefully) will write about this, and it may-or-may-not have a car accident in it. I don't know that it will fit in this story.